Nothing blew us away on New Morning like Bob Dylan’s impressionistic Christmas carol
By Stephen Pate – When it was released on “New Morning” in 1970, we knew “Three Angels” was about Christmas but why? “Three Angels” is not religious like “Silent Night” yet it is just as spiritual for the time if not more.
The song sits as the 2nd last song on Dylan’s paean to a rural utopia New Morning. “Three Angels” feels like a spoken gospel followed by “Father of Night” which has its roots in the Jewish prayer Amidah.
Three angels look down, playing their horns, while people scurried about below. The tension is between the grounded real world and up above the fray the angels blowing their trumpets in vain. Dogs and pigeons are affected by the angels, magically flying together.
Man, were we so screwed up by the 60s that we missed the deeper meaning?
The angels are getting no respect from the people on their mundane travels and seem ungainly, with wings that stick out like John Travolta’s Michael.
For me in 1970 it was weird like I was on a bus going in the opposite direction from Dylan. He was getting uncharacteristically religious while I was leaving the right-wing protestant church of my mother for something less dogmatic or no religion.
There are two videos in this story. The second has drawings that fit the artists view of what Dylan is singing. I personally would rather let my mind’s eye imagine the tableau in the songs.
Three Angels lyrics
Three angels up above the street
Each one playing a horn
Dressed in green robes with wings that stick out
They’ve been there since Christmas morn
The wildest cat from Montana passes by in a flash
Then a lady in a bright orange dress
One U-Haul trailer, a truck with no wheels
The Tenth Avenue bus going west
The dogs and pigeons fly up and they flutter around
A man with a badge skips by
Three fellas crawlin’ on their way back to work
Nobody stops to ask why
The bakery truck stops outside of that fence
Where the angels stand high on their poles
The driver peeks out, trying to find one face
In this concrete world full of souls
The angels play on their horns all day
The whole earth in progression seems to pass by
But does anyone hear the music they play
Does anyone even try?
Copyright © 1970 by Big Sky Music; renewed 1998 by Big Sky Music
We knew Dylan was Jewish. It would take almost a decade before we understood Dylan’s deeply religious thoughts when he converted to Christianity and then later drifted into some middle ground between being Jewish and Christian.
“The Angels” and “Father of Night”
Michael Gray on sources
Dylan’s New Morning song ‘Three Angels’ echoes closely a short,” wrote Michael Gray in the The Bob Dylan Encyclopedia. “striking passage from Genet’s 1944 novel Our Lady of the Flowers (the original French language title was the parallel Notre dame desfleurs):
‘But neither of the two seemed to care whether Divine was absent or present. They heard the morning angelus, the rattle of a milk can. Three workmen went by on bicycles along the boulevard, their lamps lit, though it was day. A policeman on his way home . . . passed without looking
at them.’
“At any rate, ROBERT SHELTON’s Dylan biography, No Direction Home, 1986, quotes Dylan, interviewed by Shelton on a plane between Lincoln,
Nebraska, and Denver, Colorado, in mid-March 1966, as saying: ‘William Burroughs is a poet. I like all his old books and Jean Genet’s old books.’”
Of course, Dylan has always been borrowing from other literature and music. The innovation is the song and his ability to reach new meaning and significance with the borrowed material.
The Bob Dylan Encyclopedia is an interesting and exhaustive work on Dylan. It comes with a CDROM of the book in a PDF file which makes it easy to search on your computer.
While Gray is not without his bias, for the most part he refrains from imposing his own opinions and presents an enormous amount of interesting scholarship on Bob Dylan.
The next video is an artists depiction of the song.
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bobsjazz
I always heard “Three Angels” as a beat poem. “The wildest cat from Montana” seems like an image from Kerouac, as is the somewhat down and out street, possibly Greenwich Village, scene. The angels also bring to mind Kerouac’s
“Desolation angels.” The jazz piano accompaniment and scat vocals conjure a beat reading. And the whole piece has a beatific perspective as a lonesome traveler wanders down lonely avenue.
Stephen Pate
Like it.