Music, IT & Human Rights since 2005

Bob Dylan, Entertainment, Music

Bob Dylan’s The Original Mono Recordings

Bob Dylan Jerry Schatzberg

The Original Mono Recordings is unique opportunity to own the original bob Dylan recordings as we heard them

By Stephen Pate – Bob Dylan is the king of bootlegs. Even before he started officially releasing his catalog, his fans were collecting and trading his unreleased out-takes and concerts.

I am re-visiting the 2010 release of Bob Dylan’s The Original Mono Recordings a unique opportunity to own the original Dylan recordings as we heard them during the 1960s. Collectors and completists will want the package.

I purchased the CD set to review it and to have a digitized copy on my computer and iPad since my originals are vinyl and the SACD versions are stereo.

Featured image Bob Dylan by Jerry Schatzberg

There is not new material compared vis-a-vis the original albums and compared with say the earlier official bootlegs such as Tell Tale Signs, Basement Tapes or The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991.

However, if you don’t have or never had the first Dylan recordings this set is priceless.

I have listened to all nine CDs and compared them with the original vinyl and the SACD releases to compare the differences, which is why it took weeks to prepare the review. You only listen to so much Dylan in a given day. I’ve played this set over and over to figure out what was of value.

What you get in the package

Bob Dylan The Original Mono Recording, cute packaging with tiny print

The release of Bob Dylan’s first 8 LPs includes: 9 CDs, booklet by Greil Marcus, bonus CD of Dylan’s 1963 Brandeis University concert, in a hard board slip case.

The albums are:

Bob Dylan

  1. Bob Dylan – 1962
  2. The Freewheelin’ Bob Dylan – 1963
  3. The Time They Are A-Changin’ – 1964
  4. Another Side Of Bob Dylan – 1964
  5. Bringing It All Back Home – 1965
  6. Highway 61 Revisited – 1965
  7. Blonde On Blonde – 1966
  8. John Wesley Harding – 1967

These 8  albums cover Bob Dylan’s commercial releases from his introduction to New York City and Columbia Records to the point past The Basement Tapes which have recently been released in entirety.

For Dylan this was both his formative and most creative period, spanning acoustic blues cover songs, his first self-penned songs through the protest movement, change to person music, poetic, prophetic and drug influenced songs to his return to roots music with John Wesley Harding.

To listen to all 8 albums together you get a sense of how far and fast he came and how creative Dylan really was. Each album is a gem in itself Some discount various albums like “Bob Dylan” and “Another Side of Bob Dylan”. Those types of comments are the rants of self-appointed critics who could not write or do one song on the same level as Bob Dylan’s oeuvre.

The cases are miniature versions of the original LP covers. That’s cute but you can’t hold them in your hand and read the liner notes and ponder over the Dylan cover art, so its less interesting than owning the The Original Mono Recordings in Vinyl.

On the SACD release, the covers are three folds that allow the liner notes to be legibly printed or include a booklet. Compared with holding the original albums in your hand while listening, this set is low on creating 60s nostalgia.

The Original Mono Recordings Amazon.com exclusive is $124 from Amazon.com which is the original 2010 release. There is also a slightly different set (which I don’t own) The Original Mono Recordings for $94. In Canada The Original Mono Recordings is $97.47.

Also available from iTunes for $36.99.

The CD-sized booklet with pictures and notes by Greil Marcus is an exercise in miniaturization and one reason to buy the The Original Mono Recordings Vinyl at a $179.  In Canada at $219. Of course, collectors will want to own the vinyl. The vinyl versions of Dylan appreciate in value as they go out of print.

Why Mono?

So what’s the big deal about “Original Mono” versions? Are they better, more like the original?

Greil Marcus waxes eloquent about listening to Bob Dylan through one speaker up in our bedrooms back in the 1960s, in the accompanying booklet to this package.

It is true that most people heard Bob Dylan in mono back in the 1960s. In reality, from Bob Dylan to Another Side of Bob Dylan are mono – the man and his guitar.

From Bringing it All Back Home – the break out rock and roll album – to John Wesley Harding the CD could be listened to in stereo, although some people prefer the mono versions.

Bob Dylan’s first 8 albums

There are millions of Dylan fans who don’t have the originals for whom this collection will be a revelation. Since I’ve been following Dylan since he hit the folk scene 1961, these albums are old friends.

From Bob Dylan to John Wesley Harding is a span of 5 years in which Bob Dylan changed folk music and rock and roll with the prodigious output of 83 songs composed and recorded. Most of the songs are classics such as “Blowin in the Wind”, “Like A Rolling Stone”, “All Along The Watchtower,” Don’t Think Twice It’s All Right. These are songs that have been covered by everyone and become part of our lives.

Bob Dylan songs were meant to be sung by everyone, and everyone has obliged Dylan. They are songs of protest, of love, love gone wrong, get even songs and have a good time songs. They are simple and complex, weird lyrics that spin-off into infinity and lyrics grounded in the feeling of seeing someone you love coming along the beach.

Follow me on Twitter at @sdpate or on Facebook at NJN Network, OyeTimes and IMA News Buzz. NJN has a site icon or Favicon you can save to your desktop or Favorites bar to make it easy to find. You can also subscribe and automatically receive notifications of new stories by email. We do not share your email with advertisers. The subscription form is on this page in the left and right columns.

4 Comments

  1. hans altena

    what was it you were trying to say? you could have made some comparison between the stereo Blonde on Blonde, and the mono version, the last one edited the way Dylan intended, the other one with mistakes in that field, though maybe nice and broad sounding, but without the grit of the mono… or you cold have pointed out that John Wesley Harding has a much better harmonica sound on mono, etc.

  2. Thanks for your comments. The story is not intended to provide in-depth analysis of each release vis-à-vis mono and stereo. Each LP would need its own story. Your comments on BOB are good. The album was released in several stereo versions so there is lots to analyze. Feel free to add more to your observations. They are appreciated.

  3. Mike Anderson

    I have the vinyl set and enjoy it very much. I like the mono because I’m not distracted from the music by having one ear listening to one thing and the other ear listening to something entirely different. I listen to the set quite often, playing The Times last evening.

  4. Bill

    You wrote: “those types of comments are the rants of self-appointed critics who could not write or do one song on the same level as Bob Dylan’s oeuvre.”

    How did you go about getting yourself “appointed” a critic? Did you pass some sort of test? If I was to take this test, would I fail if I said I dislike certain albums? I don’t have any musical talent. Does that mean I wouldn’t be allowed to criticize any musicians at all?

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.