Stephen Pate, Nick Teter and Ted Simmons, Baba’s Open Mic
SALLY COLE
The Guardian
Ed: Excerpt. see link to Guardian for the complete story
There’s an air of professionalism at Babas in Charlottetown where musicians are taking their music to the next level.
The place is a gathering spot for burgeoning songwriters who come to test out their new material.
“Anyone who has just come is invited to come up and sign the performance list,” says host Nick Teter, adjusting microphones for musicians Andrea MacDonald, Ted Simmons, Stephen Pate and a poet simply known as Alan.
As the emcee, he spends the evening mingling with artists, keeping their sound levels and spirits bright.
“If you play, you get a free glass of draft for your 15 minutes of fame,” says Teter, who has a definite knack for making people feel at home.
“It’s important to welcome people, especially if they’re new. If no one comes over to talk, sure, they may get up to play once, but they may never come back.”
The artists like the time that Teter puts into the show.
“Nick encourages everyone and is not afraid to show his appreciation. That’s why I come here — for the camaraderie and a chance to play my own compositions,” says Pate, after testing out his latest song.
For Simmons, the draw is getting to play in front of a live audience.
“I come every week to practise my live stage show. I really enjoy the atmosphere here,” says the singer-songwriter who performs a dynamic version of Bob Dylan’s North Country Blues.
Meanwhile, Teter gives a sigh of relief that all the music slots have been filled.
“My biggest fear is that no one will show up and I’ll have to play a lot of songs.
“While that normally isn’t bad, it’s not my show. It’s about the artists,” says the singer-songwriter.
A few blocks away, the mood is warm and relaxed at Hunter’s Ale House where artists have gathered for another open mike night.
Blake MacIsaac and Daniel Bowlan, Hunter’s Open Mic
Hosted by Danielle Bowlan, the Monday night gig is the highlight of her week.
“It’s fun, and interesting. We are always getting to hear new music and meet new people,” she says.
During the show, which also includes performances by Jessica Keough, Kassandra Veenhuis and Blake MacIsaac, she and Laura Oakie team up for some tight harmonies on Volcano and Nine Crimes and are rewarded with applause for their efforts.
“We’re constantly singing together. We enjoy coming here,” says Oakie, who is also a member of the Disco Rockin’ Llamas.
Daniel Bowlan and Laura Oakie, Hunter’s Open Mic
After playing together week after week, it feels like home, says Bowlan. “We’re all friends here so no one is afraid to go on.”
After playing together week after week, it feels like home, says Bowlan. “We’re all friends here so no one is afraid to go on.”
paul vienneau
I was out of town for your Guild gig and regrettably missed it. I moved here coming up on 2 years ago. I’ve toured, gigged and recorded with many semi- and non-famous artists (Lennie gig, Carlos del Junco Juno-nom’d cd and tours with, etc) and have been half-heartedly trying to make inroads as a bass player here in PEI. Baba’s, Hunter’s and many other venues are not wheelchair accessible, so I’m not able to come out and let these local artists know that I exist. I’ve contributed alot to the people I work with, and wish to do the same here. Aside from bass, I can arrange/rearange, light production, gig, record and otherwise make a difference to someone’s project.
If I could only get in the front door.
Just pitching in 2 cents worth.
paul vienneau
Stratford, PEI
http://www.paulvienneau.com/paul@paulvienneau.com
And I can play many styles of music authentically, and feel blessed to do so. Any accessible open-michaels around?
paul vienneau
I was out of town for your Guild gig and regrettably missed it. I moved here coming up on 2 years ago. I’ve toured, gigged and recorded with many semi- and non-famous artists (Lennie gig, Carlos del Junco Juno-nom’d cd and tours with, etc) and have been half-heartedly trying to make inroads as a bass player here in PEI. Baba’s, Hunter’s and many other venues are not wheelchair accessible, so I’m not able to come out and let these local artists know that I exist. I’ve contributed alot to the people I work with, and wish to do the same here. Aside from bass, I can arrange/rearange, light production, gig, record and otherwise make a difference to someone’s project.
If I could only get in the front door.
Just pitching in 2 cents worth.
paul vienneau
Stratford, PEI
http://www.paulvienneau.com/paul@paulvienneau.com
And I can play many styles of music authentically, and feel blessed to do so. Any accessible open-michaels around?
Anonymous
And I should mention I was hired to play with Matt Andersen when he relocated to Halifax and played with him for almost 3 years. I was onstage the nights at the Nfld ECMAs when we, yes, I said we blew everyone away.
I agree with your comment on him needing to settle down. He plays extremely far on top of the beat, verging on rushing, which I attribute to needing to carry the load with Flattop, his NB band which was musically lacking.
Hey, there’s 4 cents I gave you!
Uh, can I write a cheque for that?
paul vienneau, again
Anonymous
And I should mention I was hired to play with Matt Andersen when he relocated to Halifax and played with him for almost 3 years. I was onstage the nights at the Nfld ECMAs when we, yes, I said we blew everyone away.
I agree with your comment on him needing to settle down. He plays extremely far on top of the beat, verging on rushing, which I attribute to needing to carry the load with Flattop, his NB band which was musically lacking.
Hey, there’s 4 cents I gave you!
Uh, can I write a cheque for that?
paul vienneau, again